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Al Pacino appeared to be asleep at Golden Globes 2021

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Al Pacino appeared to be asleep at Golden Globes 2021

Say hello to his pillow friend.

Al Pacino had fans wondering if he had fallen asleep during the 2021 Golden Globes Sunday night when he was caught on Zoom with his eyes closed.

The 80-year-old star was nominated in the Best Actor in a Drama Series category for his role on the Amazon Prime show “Hunters” (which he lost to Josh O’Connor of “The Crown”). Perhaps the legendary actor was unfazed by the idea of winning another golden statue from the HFPA, as he already has various Golden Globes and even the Cecil B. DeMille award.

“Who would schedule the #GoldenGlobes in the middle of Pacino’s nap?” tweeted one viewer.

“Al Pacino is like ‘I tuned in for THIS?’ #GoldenGlobes,” joked another.

Pacino’s rep didn’t immediately return Page Six’s request for comment.

Not only did Pacino’s nap make waves at the annual award show, he also caught flack for his wildly styled hair.

“After watching Al Pacino doze off during the #GoldenGlobes — I feel you, my friend — I’m wondering if there is an unofficial rule in Hollywood that, the older an acting legend gets, the higher his hair has to be?” asked another fan, rhetorically.

Perhaps he’ll take advantage of audio-only next time.

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Sex abuse rituals at NJ boarding school exposed in cartoons

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Chartwell Manor-01

Glenn Head didn’t wait 50 years just to pull punches. After all, he survived a child’s waking nightmare at the hands of a pervert – not to mention the self-destructive sex-and-substance abuse streak it spawned in his adulthood. He didn’t get out alive by throwing fights. 

Don’t let that whimsical cover art throw you: “Chartwell Manor,” the veteran cartoonist’s harrowing new graphic memoir, recounts his two years at the Mendham, NJ boarding school run by headmaster “Sir” Terence Michael Lynch — a serial sexual abuser who manipulated young boys into “cuddling sessions” after fondling and beating their nude bodies. 

Head’s “bland, suburban” existence was shattered at 13 when he scored subpar marks in the 7th grade. On a rainy Sunday in fall 1971, his parents sent him packing to the fancy “British-stye” prep school hyped as a haven of “healing and reform” for troubled kids. He started cartooning at 14 to cope with “entering a real-world horror comic — depraved, criminal and corrupting to so many who attended it.”

Now, five decades later, Head’s critically acclaimed triumph-over-trauma tale could help bring a measure of justice to his fellow victims — at least the ones who managed to go on living with their emotional scars.

“I always feel like, with an autobiography or memoir, you’re wasting your time if you’re not risking something. I sort of bet all my chips on it,” Head told The Post of sharing his darkest secrets. Faded photos from his “Chartwell Manor” era capture an unsmiling kid in a smart school uniform, with curly blonde hair tamed into a side-part — and haunted blue eyes concealing revelations “it took a whole lifetime” to make.

Glenn Head in 1973 during his second year at Chartwell Manor.
Glenn Head in 1973 during his time at Chartwell Manor. He told The Post, “I’ve been in touch with some alumni — and a lot of people I knew who were kids then committed suicide or are dead from drug overdoses. Others [got into] criminal things. A lot of that grew right out of that school.”
Courtesy the author/Fantagraphics

Head’s “merciless self-examination” — as legendary cartoonist Robert “R.” Crumb declared in his “masterpiece!” review — almost dares mainstream comic fandom to disapprove. He doesn’t ask readers to like him as he struggles to stick a pitchfork in the adult demons born of his warped school days — he gambles on the truth instead.

“My bottom-line approach: You gotta know what I know,” said Head, now a youthful 63 with a mop of unruly silver curls, at his home in Brooklyn. “You gotta know what I feel like. What’s it like to experience sex abuse and what sexual behavior that may have grown out of that feels like. That’s the deal that’s made when someone picks up the book.”

Every great comic needs its evil villain. Head’s came in the form of UK-born “Sir” Lynch, who was eventually charged in a 103-count sexual abuse indictment for his sick crimes against young boys.

IT WAS GOTHIC — BUT IT WASN’T MAGICAL

Some readers might be momentarily disturbed by the cover art: It sparks a bizarro world sense memory of another legendary prep school: Harry Potter’s Hogwarts School of Magic and Wizardry. 

“I was aware of the books — but I didn’t so much get into the Harry Potter thing,” Head said. Obviously, no magic happened at Chartwell — but it did share a certain “gothic” Hogwarts’ vibe — chandeliers, high ceilings, otherworldly architecture befitting an idyllic mansion and estate named after Winston Churchill’s country home — that he wanted to recapture.

“Really, the only way I can put it is: I grew up in Madison … public schools were institutional settings and all the same no matter where you went,” Head recalled to The Post. On the other end of the spectrum was “an ominous castle in the woods, this boarding school was gothic, haunting, atmospheric, to my 13-year-old eyes. Chartwell Manor, I always felt, was begging for the comic book treatment,” he said in a statement to the Hollywood Reporter.

Glenn Head’s unflinching memoir opens with him as an adult struggling to deal with the psychological damage he suffered as a boy at the hands of “Sir” Lynch. The project was a cathartic pursuit of a “sliver of forgiveness.”

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Head suffered for years from substance abuse and sexual addiction he believes was caused by his time at Chartwell Manor.

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“Chartwell Manor” explores his time at the disgraced prep school — and his subsequent self-destructive sex, drugs and rock and roll era in the 1980s.

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When asked to describe his memoir, Head told The Post: “”This is an exciting, propulsive gothic memoir; a story of overcoming abuse, facing it, living life and accepting the scars of what happens to us and being able to move forward and not letting it wreck you.”

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However, legendary underground cartoonist Robert Crumb was unreserved in his praise: “This is a great graphic novel. I couldn’t put it down… Starkly honest, a powerful story…the level of merciless self examination…I was deeply impressed. Head has traveled a long way to get to this point. This is… well, okay, I’ll say it… A Masterpiece! Truly. Very few writers or artists ever reach this level of self-revealing truth. It’s good for the world.”

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Born in 1958 in Morristown, NJ, Head’s “bland, suburban” existence was shattered at 13 when he scored subpar marks in the 7th grade.

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Head described the prep school as “an ominous castle in the woods, this boarding school was gothic, haunting, atmospheric, to my 13-year-old eyes. Chartwell Manor, I always felt, was begging for the comic book treatment.”

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Every great comic needs its evil villain. Head’s came in the form of UK-born “Sir” Lynch, who was eventually charged in a 103-count sexual abuse indictment.

Fantagraphics

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Lynch eventually pleaded guilty in 1989, and served seven years of a 14-year sentence. After his release, he was later sentenced in 2007 to one year in jail for assaulting three men at a drug rehab, where he posed as a volunteer doctor doing hernia checks, genital exams and spankings. He died in 2011.

Fantagraphics

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Meanwhile, every great comic needs its evil villain. Head’s came in the form of sick “Sir” Lynch, a UK-born perv who was eventually charged in a 103-count sexual abuse indictment for robbing his young Chartwell charges of their innocence.

Little is known about his life before Chartwell, but “‘Sir’ was a larger than life figure: clownish, exuberant, florid in his speech patterns, grandiose — almost a parody of a boarding school headmaster,” Head said. “He was also a pathological liar and a serial abuser of children. Too criminal for words, he needed to be drawn!”

Headmaster "Sir" Terrence Michael Lynch in an undated photo. "Chartwell Manor" author-artist Glenn Head in 1972.
Headmaster “Sir” Terence Michael Lynch in an undated photo. Author-artist Glenn Head in 1972. Nearly 50 years later, Head’s art has appeared everywhere from the New York Times, Playboy and Sports Illustrated to the Wall Street Journal and the iconic underground paper Screw.
Jeff Anderson & Associates/courtesy the author

A DOCUMENTED TRAIL OF PERVERSION

Because of a vow of silence among students, many parents didn’t learn of Lynch’s sadistic abuse until after the disgraced school was shut down in 1984. Accusers testified about groped genitals under the guise of medical exams, creation and distribution of child pornography and “cuddling” after naked-buttock beatings, the latter an attempt to “comfort” his humiliated victims in a perverse ritual of emotional control, according to one student. 

Lynch eventually pleaded guilty in 1989, and served seven years of a 14-year sentence for molesting at least a dozen boys at Chartwell Manor. After his release, he got back to work. Lynch was sentenced in 2007 to one year in jail for assaulting three men between 2004 and 2005 at a drug and alcohol rehab in Morristown, where he posed as a volunteer doctor doing hernia checks, genital exams and spankings. Those adult victims received a $780,000 settlement — Chartwell students have yet to receive civil compensation.

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In heartbreaking detail, Head depicts attention-starved boys trying to survive at Chartwell Manor. In the early ’80s, accusers testified about “cuddling” after naked-buttock beatings, an attempt to “comfort” his humiliated victims in a perverse ritual of emotional control, according to one student.

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“[This is} material I believe had to be met head on,” Head has said. “Nothing in this book is invented, or exaggerated. It happened like this. To the very best of my ability I drew it just as it happened.”

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“Drawing Chartwell Manor and the truth of it became a matter of life and death to me. Without that truth, there’s nothing,” head told The Hollywood Reporter.

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After diving so deep into darkness, one might think Head was ready for some levity in his work. No way. “I’m not sure I’m really capable of lighter material. It sounds funny, but it’s just not really my thing,” he told The Post with a chuckle.

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Despite this apparent lack of sentimentality, Head does cop to one feelgood cliche: Art saved him.

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Lynch eventually pleaded guilty in 1989, and served seven years of a 14-year sentence. After his release, he was later sentenced in 2007 to one year in jail for assaulting three men at a drug rehab, where he posed as a volunteer doctor doing hernia checks, genital exams and spankings. He died in 2011.

Fantagraphics

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In 2011, the registered sex offender was charged with failing to notify police of a change of address. Lynch is believed to have died at 77 the same year in Parsippany.

Decades after Sir’s reign of terror and Head’s subsequent spiral into addictions depicted in his memoir, the artist-author is now married and a parent himself, to a 20-year-old daughter who hasn’t read the book — “but she knows she’s in it,” he told The Post. “She is sort of a very important figure in terms of my life taking a turn for the better.”

CIVIL JUSTICE POSSIBLE AS DEADLINE LOOMS

Self-destruction is in his past now but Head admitted there are emotional scars he’s still processing today. He knows he’s among the lucky ones. 

“I’ve been in touch with some alumni — and a lot of people I knew who were kids then committed suicide or are dead from drug overdoses. Others [got into] criminal things. A lot of that grew right out of that school. A great many students went through what I went through. Alcohol, drugs and sexual behavior followed that went part and parcel with this. I’m very lucky to have been clean and sober for some time.” 

Yes, Head has overcome a lot — but to reveal much more about how he got here would spoil what his peers and critics have hailed as an important book.

Meanwhile, the timing of the release of “Chartwell Manor” could shine a light on an ongoing push to bring compensation to survivors who were too traumatized to testify in the past.

Time is running out for victims to join those who’ve already filed claims against surviving Chartwell administrators accused of letting Lynch — and other accused faculty — cultivate a culture of abuse.

In May 2019, NJ Governor Phil Murphy signed the Victims’ Rights Bill into law, extending the statute of limitations window for child sexual abuse survivors to bring civil suits against those who hurt them.

However, time is running out for Chartwell Manor victims to join those who’ve already filed claims against surviving Chartwell administrators accused of letting Lynch — and other accused faculty — cultivate a culture of abuse.

“New Jersey law gives you an opportunity to seek justice and compensation, and more importantly, hold the abusers accountable and get your voice back,” said attorney Greg Gianfocaro, a state child victim advocate of three decades. “Claims must be filed by November 30. Hundreds of survivors have already come forward to make their voices heard. You are not alone.”

Survivors can confidentially consult with lawyers online or by calling 1-888-920-9849. (Note: Head told The Post it’s “amazing” that survivors are still seeking justice but he’s not affiliated with organized legal efforts.)

Glenn Head as a troubled 18-year-old in 1976.  He told the post he's on the fence about following the “Watchmen” or “Umbrella Academy” route into a film or streaming platform adaptation. “Never say never — but if I had seen a lot of movies that really did justice to graphic novel that was great, then I’d say yes. It’s a ‘great idea’ — but actually it’s kind of hard to make it work,” he told The Post. “If the offer was right and people who knew what they were doing were going to capture it well. There’s a real tendency to let everything get really watered down. It doesn’t do the art any favors.”
Glenn Head, seen here as a troubled 18-year-old in 1976, told The Post he’s conflicted about following the “Watchmen” or “Umbrella Academy” route into a film or streaming platform adaptation: “Never say never — but actually it’s kind of hard to do justice to a graphic novel. There’s a real tendency to let everything get watered down. It doesn’t do the art any favors. Maybe if the offer was right from people who knew what they were doing and were going to capture it well.”
Courtesy the author/Fantagraphics

GLENN DOESN’T HAVE THE LIGHT STUFF

After diving so deep into darkness, one might think Head was craving some levity in his work. No way.

“I’m not sure I’m really capable of lighter material. It sounds funny, but it’s just not really my thing,” he said with a chuckle. In addition to his award-winning contributions to alternative comic books and “comix” anthologies, Head’s art has appeared everywhere from the New York Times, Playboy and Sports Illustrated to the Wall Street Journal and the iconic underground paper Screw. However, the graphic novel format allows him to strive for something deeper within his panels.

“Not to make light of other material, but what I’m really fascinated by is human behavior and how it affects us, how it follows us,” he said. “I tried to give as much as I could in terms of honest characterization to both parents, Lynch, a pedophile; and the other kids I knew. I really wanted to flesh those things out with as much humanity as possible. Those are the things I strive for.”

As he recently told “The Virtual Memories Show” podcast: “My whole interest in comics and autobiography is to show the dirt that’s under everyone’s fingernails, to capture that and not look away from it.”

Despite this professed lack of sentimentality, Head does cop to one feel-good cliche: Art saved him.

“I’m really convinced it did, actually. For three years [in the ‘80s] at the School of Visual Arts, studying under Art Speigelman, I was a profoundly heavy drinker. But I learned a lot from him and it was really helpful to me,” the husband and dad told The Post. “One gets up to a lot of stuff in the 20 to 30 years — but studying comics held me in good stead. It’s something more than just an escape — it can save you. I think it really did.”

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‘Indiana Jones’ making life ‘a living hell’ for Londoners

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‘Indiana Jones’ making life ‘a living hell’ for Londoners

Residents of Hackney, East London, are whipped-up in a frenzy over the filming of the fifth installment of the “Indiana Jones” series, “Indiana Jones and the Empire of Evil.”

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Taylor Swift to release her ‘version’ of ‘Red’ album

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Taylor Swift to release her 'version' of 'Red' album

Jake Gyllenhaal might want to steer clear of social media today.

Two months after Taylor Swift’s rollout of her re-recording of “Fearless,” the singer, 31, announced a release date for another do-over.

Fans have speculated for months that she would surprise Swifties with a June 18 midnight drop of “1989 (Taylor’s Version).” However, she announced on Friday that 2012’s “Red” will be the next re-recorded album on her agenda.

But it’s not happening swiftly. Fans won’t be able to listen to the second iteration of the album until November 19.

“I’ve always said that the world is a different place for the heartbroken,” Swift wrote in the announcement. “It moves on a different axis, at a different speed. Time skips backwards and forwards fleetingly. The heartbroken might go through thousands of micro-emotions a day trying to figure out how to get through it without picking up the phone to hear that old familiar voice. In the land of heartbreak, moments of strength, independence, and devil-may-care rebellion are intricately woven together with grief, paralyzing vulnerability and hopelessness. Imagining your future might always take you on a detour back to the past. And this is all to say, that the next album I’ll be releasing is my version of ‘Red’.”

Swift goes on to explain the initial meaning behind the album, alluding to her past breakups.

“Musically and lyrically, ‘Red’ resembled a heartbroken person,” she wrote. “It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. Happy, free, confused, lonely, devastated, euphoric, wild, and tortured by memories past. Like trying on pieces of a new life, I went into the studio and experimented with different sounds and collaborators. And I’m not sure if it was pouring my thoughts into this album, hearing thousands of your voices sing the lyrics back to me in passionate solidarity, or if it was simply time, but something was healed along the way.”

She then concluded the announcement, stating there will be a total of 30 songs on the album, and the inclusion of fan-favorite “All Too Well,” but the extended and explicit version.

“Sometimes you need to talk it over (over and over and over) for it to ever really be… over. Like your friend who calls you in the middle of the night going on and on about their ex, I just couldn’t stop writing. This will be the first time you hear all 30 songs that were meant to go on ‘Red’. And hey, one of them is even 10 minutes long.”

Following the massive success of “Fearless (Taylor’s Version),” fans began to theorize that she would announce — or hopefully release — “1989” based on the Easter eggs she kept teasing. Even with the Swifties’ sleuthing, Taylor was still able to throw her fans off enough to make her Friday announcement a genuine surprise.

Swift limited the comments on her Instagram post, but lovers of her music are still celebrating on other social media platforms. Jake Gyllenhaal has already started trending on Twitter in the wake of the collective excitement for the re-release of the extended and explicit version of “All Too Well,” which has been rumored to be about Gyllenhaal.

Fans were not only shading Gyllenhaal, but they began to call out Swift for the misleading clues.

One fan even connected that the day of her “Red (Taylor’s Version)” announcement also happens to be Scooter Braun’s birthday, which could be an intentional reference to the music mogul who drove Swift to re-record her first six albums.

“Red (Taylor’s Version)” will be out November 19.

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